Scar on the Praeter: A Flawed Yet Improved Entry from Studio GoHands

Studio GoHands’ latest anime, Scar on the Praeter, is a step up from its predecessors, showcasing improved writing and soundtrack. However, the visuals remain a significant drawback. Despite its flaws, the series offers some intriguing elements and a jazzy post-rock soundtrack.

Scar on the Praeter: A Flawed Yet Improved Entry from Studio GoHands

Studio GoHands’ latest anime, Scar on the Praeter, directed by Shingo Suzuki and written by Tamazo Yanagi, showcases a noticeable improvement compared to their previous works. As someone familiar with GoHands’ past series, such as Hand Shakers and W’z, I approached Scar on the Praeter with cautious optimism. To my surprise, the series proves to be a step up from its predecessors, although it still has its flaws.

The story takes place in the Akatsuki Special Ward, a lawless and isolated section of Tokyo. Following a violent rebellion, the Ward becomes a battleground for three factions: Helios, Artemis, and the PSSS. The Scard, individuals blessed with powers from godlike entities, identified by their unique tattoos, play a crucial role in this ongoing conflict. Yamato Kai, an ordinary guy trying to provide for himself and his brother, unexpectedly inherits the Scard mantle from Eiji Arashiba, the former protector of the Ward. As Yamato becomes entangled in the power struggle between the factions, a new group called Dusk emerges, intensifying the conflict and threatening the Ward’s existence.

Improved Writing and Soundtrack

The writing in Scar on the Praeter is a notable improvement compared to GoHands’ previous works. While the initial episodes suffer from excessive exposition and convoluted world-building, the story gains momentum as it progresses. The drama between the factions, particularly the friendship and rivalry between Yamato and Kazuma, Eiji’s younger brother, adds surprising and intriguing elements to the narrative.

Although the writing falls into clichés, melodrama, and self-seriousness at times, it is worth acknowledging the improvement considering the low bar set by GoHands’ previous works. Additionally, the soundtrack, featuring a jazzy post-rock style, is a step up from the generic elevator music of Hand Shakers.

Visual Shortcomings

Unfortunately, the visuals remain a significant drawback for Scar on the Praeter. While the nauseating camera work has been toned down compared to previous GoHands series, the overall visual experience is still disappointing. The backgrounds, created using Unreal Engine 4, resemble cheap PS3-era video game graphics. The integration of the 2D characters with the 3D environments lacks coherence, resulting in a jarring and unpleasant viewing experience. The cluttered backgrounds and garish color design further hinder the ability to focus on the scenes effectively. Even during the action sequences, the animation fails to convey weight or spatial awareness.

A Forgettable Series

Despite its flaws, Scar on the Praeter is not the worst anime I’ve ever seen. It does show improvement in terms of writing and soundtrack. However, its visual shortcomings and lack of overall quality make it difficult to recommend. Ultimately, it is a forgettable series that fails to leave a lasting impression.