MonsTABOO Volume 1 Review: A Promising Start with Some Overwhelming Elements

Read our review of MonsTABOO Volume 1, a manga series that explores corruption, love, and the complexities of human nature through the eyes of a girl who can see monstrous creatures known as groan-ups. Discover the unique concept behind the monsters and the intriguing relationship between the main characters.

MonsTABOO Volume 1 Review: A Promising Start with Some Overwhelming Elements

MonsTABOO is a manga series that introduces readers to a world where corrupted adults transform into monstrous creatures known as ‘groan-ups.’ The story follows Maruka Suzuki, a girl who possesses the ability to see these monsters. After her mother’s tragic death at the hands of a groan-up, Maruka becomes determined to eradicate all of them. However, her perspective changes when she encounters a rabbit-like monster named Mochizuki, who saves her life. As Maruka falls in love with Mochizuki, they join forces to hunt down the malevolent groan-ups. The series explores themes of corruption, love, and the complexity of human nature.

One of the standout aspects of MonsTABOO is the unique concept behind its monsters. In this world, the transformation into a groan-up occurs due to corruption. The appearance of these creatures varies, with some resembling animals while others possess more human-like features. This contrast raises intriguing questions about the nature of corruption and the hidden depths of human depravity. The series hints at a potential exploration of these ideas, though it remains to be seen if it will delve deeper into this aspect in future volumes.

Maruka and Mochizuki’s Relationship

The central focus of the first volume revolves around Maruka’s relationship with Mochizuki, whom she affectionately refers to as ‘Zukky.’ Maruka’s attachment to Mochizuki borders on infatuation, and she claims to be in love with him. However, her longing for adult attention may be a driving factor behind her feelings. Their dynamic provides an emotional core to the story, but it remains to be seen how their relationship will develop further.

Teenagers and Their Groan-Up Partners

MonsTABOO introduces a group of teenagers who form partnerships with groan-ups to combat the more dangerous monsters. These partnerships allow the teenagers to wield the transformed groan-ups as weapons. This concept draws parallels to similar series like Soul Eater and Ghost Reaper Girl. It raises questions about the nature of corruption and the potential for redemption. The contrasting views of the characters towards groan-ups add depth to the narrative and may provide a relevant context for the introduction of a game in which schools compete to kill the most monsters.

Overstuffed Plot

While MonsTABOO presents several compelling ideas, the first volume feels somewhat overstuffed with plot concepts. The inclusion of a game involving the destruction of groan-ups, in addition to Maruka and Mochizuki’s story and their encounters with other characters, can make the narrative feel overwhelming. The core premise and character relationships provide enough material for the story to thrive, and it remains to be seen how the additional plotlines will contribute to the overall narrative.

Sensitive Content

It is important to note that MonsTABOO contains two attempted rape scenes. While they are not gratuitous, these scenes may not be suitable for all readers. The art in the manga is generally free of fanservice, and the overall layout is clean and easy to follow. However, the choice of font for the cover title may pose difficulties for readers with learning disabilities.

Conclusion

MonsTABOO’s first volume presents an intriguing premise with potential for further exploration. Despite its overstuffed plot and sensitive content, the manga offers engaging artwork and an easy-to-follow narrative. While it may benefit from streamlining its focus, MonsTABOO shows promise and is worth considering for readers who enjoy stories that delve into themes of corruption, love, and the complexities of human nature.